Posted on

Language LOVERS

Los Angeles, California

Thursday, August 15th, 2013

So you wanna learn French… They say, “THE BEST,” way to learn a language is to nab yourself a LOVER that speaks said language and study in bed. I’ve always embraced a good bedtime story. Thus, I implement this theory of learning whenever possible and I say furthermore, “IF you want to learn FRENCH, you have to make that language yours. NO MESSING AROUND!”

YOU have to OWN the language?

YOU have to commit. No half way attempts at learning a little or “picking up a few phrases,” is going to take you to the Nirvana of knowing called, “Fluency.”

“Well?” YOU ask, “How does one go about owning a freakin’ language?”

Well, take English, for example, IF you want to learn English YOU are best going to England, and BONK yourself an English bloke or better yet Oxford trained Gentleman (Hah! These DUDES ain’t always so… gentle). Then your accent will be PERFECT and you will be prepared to dominate and colonize others. Bravo!

IF, on the other hand, you crave a bit of Deutsch… I say get yourself a girl or boy-toy from Hannover, they speak the cleanest… most widely understood… and universally accepted ass correct German, Hochdeutsche. YOU will dig it, when you become verbose auf Deutsch, trust me on this one. (I’m convinced, by the way, that German is the most grossly underrated language. More on that… some other time.) You will be ready to go to graduate school and get an advanced degree in art history! I know, I know… NOW, You are really eager to jump into bed with a friendly German, NOW!

I know someone… very American-European blue-eyed beauty, that recently had a Chinese BABY! YOU guessed it… an avid student of Asian tongues. So… If you missed the point of this communication, or did not get the thrust of my argument… Well, I recommend that you find someone NICE that will explain it to you in a language you both understand.

Language learning “opens doors in the universe,” that, “ONE never knew existed…” as Joseph Campbell is said to have said, “following one’s bliss” does too, so get cracking!

Best regards,

Frau K.

Posted on

On Authenticity in Django Unchained

“Antebellum blaxploitation spaghetti western… what’s not to like?”
Lawrence Swan: New York City, Visual Artist

LOS ANGELES: Sunday, February 17, 2013

In my book, race is mostly a distraction.  So, I was planning on avoiding Django Unchained, the current controversial film by Quentin Tarantino.  The film Starring Jamie Foxx, Leonardo DiCaprio pushes the hot button of RACE.  Yet, Tarantino delivers a brand of movie that I actually enjoy.  He tells stories of revenge.  Stories, old and mythic in their narrative power. His climatic scenes are tomato ketchup bang ups with as much splatter and drip as in a Jackson Pollack action painting.

The explosive violence of Tarantino, felt appropriate suddenly as Christopher J. Dorner, 33, former LAPD officer was being hunted by increasingly gun-happy force.  The accidental shooting of two female delivery truck drivers and a young male surfer were among the news stories circulating during the frightening man-hunt.  Dorner’s smiling image, in association with his rambling Facebook manifesto, in which he expressed the intention to commit acts of violence coupled his navy reserve past, and stories of youthful altruism in the name of “integrity,” had everyone nervous, watching, waiting to find out what would be the outcome of the impending show-down.  Propelled, perhaps in part by the intensity of this news story, we took refuge in the RAVE cinema, movie theater, stopping at the bar, to confer with our favorite bartender.

“OH!” She said when we told her we were there to see Django Unchained.  She told us the story of her Christmas Day at the RAVE Cinema, where Tarantino spent the evening grilling movie-goers on their experience of the film.  “He talked to my mom (a mature African American woman),” she said.  “He wanted to know what she thought of certain parts of the movie.  He wanted to know IF she found it, you know… racist.”  Apparently, not since the lady replied she was sorry to admit she’d fallen asleep during the scenes in question, “It being Christmas Day and all…”

django5_529_med

We were touched to hear of Tarantino’s commitment to his film and interest in the film’s impact upon viewers.  This intense caring about the quality of one’s product is a measure of “integrity.”  The film was true to Tarantino’s storytelling style.  It featured, as a number of his films do, the extensive and fluid use of the dreaded, “N-WORD!”  This is a word, I have been cautioned NOT to use by people whose intelligence I admire.  Thus…

The controversy can be contained in a nutshell with famed director’s  Spike Lee’s published comment, He told Vibe magazine, “I can’t speak on it ’cause I’m not gonna see it. The only thing I can say is it’s disrespectful to my ancestors, to see that film.”

The notion that seeing Django Unchained, is “disrespectful,” to anyone’s ancestors is well… silly.  The film revolves around the mutual respect and affection between black and white people as much as it turns with the images of horror and savagery among the owners and exploiters of plantation property. Set is in the antebellum south, and telling the story of Django, a high-IQ BLACK man that earns the respect and friendship of a German bounty hunter, movingly played by Christoph Waltz.

django3_529_med

The movie begins with slaves fettered in a chain gang and being transported by two cruel slave traders from one location to another, “somewhere in Texas,” the film takes OFF with a BANG and before you know it, the German bounty hunter character, a dentist by training, but a professional killer by trade are business partners and treating each other with brotherly affection.  The bounty hunter treats the former slave like family, teaching the later to read and training him in a lucrative IF morally suspect profession.

The sale of flesh… Prostitution, Bounty Hunting, and  Slavery…  The HORROR The Horror of American History is one which I have steadfastly avoided, lest it besmirch my cultivated LOVE of our country. I see the world as full of opportunity and America as a place where the dream becomes reality.  Our president’s story is unique to this nation long divided and yet united in the potential for change.  America is the nation most flexible and progressive in the construction of new opportunities for alternate histories to flourish and provide images that elevate the HORROR of history into the song of victory.

django2_529_med

Jamie Foxx is majestic in his representation of the anti-hero avenger.  Waltz, the Austrian-German actor, nominated for an Oscar award for his performance as dentist turned bounty hunter and true friend to Django, is the ideal of the German town dweller unfettered by nationalist propaganda and committed to ideas of autonomy and self-determination.  Samuel Jackson is spot-on as the evil head of the Candy-Land domestics.  His paternal intimacy with Calvin Candy, Leonardo D’Caprio’s character, calling the later into the library for, “a talk,” over cognac.

Kerry Washington, effectively plays Broomhilda Von Shaft, (Conceived as the great-great-great grandmother of the 1970‘s blaxpoiltation films).   German speaking love-object propelling Django forward into the Heart of Darkness, the epicenter of evil, Candy-Land plantation.  Washington’s Afro-Angelic beauty shines as the movie hero’s trophy, his holy grail, in the film.  She, alone, among the films protagonists remains unblemished by the blight of committing violence.   We know from previous Tarantino films that he has no issue with portraying females as violent.  (See: Invisibility in Django Unchained: Broomhilda in Chains by Eisa Nefertari Ule at EisaUlen.com for another perspective on this issue.)  Yet, Broomhilda is rescued rather than dispensing retribution.  She applauds, her man’s prowess, and rides off into the night at his side, at the film’s end.

This female prize is NEW to film in that African American women are just now arriving at being the LOVE OBJECT!  Film history is NOT replete with women of color represented as trophy wives, worth the FIGHT.  The diminutive Washington is a powerhouse actress.  Watching her hold her own among the BIGGER than LIFE macho men that made this film, in the video of the press conference for this film.  “She took a beating!” Says Tarantino of the actress’s dedication to film veracity.  She withstood DiCaprio’s pummeling grip for two days of shooting in order to accurately transmit the horror the horror of the American  slave experience.

The complaint that Django fails to provide a “Authentic,” African American personal is the theme of “Still too Good, Too Bad or Invisible,” by Nelson George, filmmaker and author of “Blackface: Reflections on African Americans and the Movies.”  My feeling is that Hollywood is in the business of taking us where we WISH reality might GO!  The films are about ESCAPE and like a runaway slave, I am branded by the LOVE of a good yarn, well spun, and told by master storyteller like Homer and perhaps,  Tarantino’s Django Unchained is the new Odyssey for a NEW WILD WEST, mythology unfolding and ALIVE.

Dorner, the former officer gone mental,  a raging murderer, was identified as toast in a cabin north of Los Angeles, near Big Bear.  He didn’t, I presume, get to make contact with Charlie Sheen in time to prevent being fried for pointing the finger at the LAPD.   I’m not sure I believe Dorner was fighting for a true cause.  His mission, ultimately, would have been better served by civic activism, rather than violence.

At the end of the day, the film stands  a great American film, a LOVE story of explosive alternative historical potential.  In other words, “BANG! Bang! BANG!” Django Unchained is a HIT in my little black book.

Posted on

A BURT LANCASTER Virgin

11 May 2013

Los Angeles California

Oh Lucky ME!  Last week, on Saturday night I went on a date, to see not one but two monumental Burt Lancaster/Robert Siodmak Noir films at the Billy Wilder Theater in the Hammer Museum.  We were invited to do so by the Hammer Museum for their “Centennial Celebration,” and I was with a dear set of friends intimately associated to the Lancaster estate.  (Dear close-friends WE love, very much.)

Before last night, I was A BURT LANCASTER Virgin.  Yes.  It is true.  I had not really fully gotten sucked into the phenomenon of this classic Hollywood film STAR.  Sure, I’d seen him in, “The Crimson Pirate,” and other such films but NEVER before on the BIG SCREEN and BURT is BEAUTIFUL BIG!  OH YEAH!  What a freakin’ HUNK!  I mean the only other man that well… frankly… anyway… let me get a grip.

After a brief drink then a fast jaunt across the road, we slipped into our reserved seats.  The host launched the evening a quick introduction to an engaging film scholar and author, Alan K. Rode.  He introduced, “The Killers” with wit and verve, making the audience chuckle before the film played.  With this particular film gem, Burt Lancaster went from unknown to Hollywood STAR for every good reason.  Adonis had nothing on him.  His taunt trained athletic energy, the acrobat’s concentration, and the obscenely fluid ease of his movement… AH!  WE all wish to be so fit, so right.

The-Killers-Lancaster-01He played a boxer gone off, knuckles broken, lured by easy money into the wrong set, and reeled in by a breathtakingly beautiful Fem-Fatal played by a long, big-eyed, previously undiscovered stunner —Ava Gardner— to take part in an ugly payroll heist.  The film unfolds in dazzling flashbacks, as the insurance claim detective pieces together the puzzle of the anti-hero’s violent death.  In other words: classic film noir. The story is utterly believable, gritty, eternal and elemental tragedy.  (The film is based on a short story by Ernest Hemingway.)  We go along for the ride even though we know it won’t end well from the start.  We, audience, mirror the protagonist’s experience of being lured into a race to hell.  Yet, at the end of the film, we have the satisfaction of resolution. THE LAW firmly upheld and evil woman caught in her own net of deception.  Ah!  How delightful!

The second film, after a brief intermission, and a little more relevant film talk from the passionate and funny film scholar, Rode, “Criss Cross,” a less successful yet watchable film with a lot of the same story elements.  Lancaster’s performance was impeccable.  He held the film together, the other actors revolving around him like planets.  In the film his character, a easily forgettable type IF it were not glorious Burt in the tepid role, glows with innocent infatuation for an evil prize, a woman of little worth, a tramp, a moll, a gangster’s wife that was once his wife.  The yucky plot-line of good boy meets BAD girl and loses life for love is not poignantly told in “Criss Cross,” which was a little slapped together and claustrophobic, even though it does have some beautiful (…and also early arial…) footage of old LA, with the trolley cars and union station figuring prominently.  “The Killers,” however is a hard act to follow because it is, at first viewing, one of the masterpieces its genre, along with Casablanca, and the Maltese Falcon, other noir classics that one can not speed by, one must stop and enjoy these delicious golden noir films.

The pleasure of seeing these fabulous old film(s) at the Billy Wilder Theater is intense.  YOU MUST make plans to see a Burt Lancaster film in this theater before the end of the series.  Last night was so great, that IF I had had to fly in from New York to experience seeing “The Killers,” and “Criss Cross,” large, on the “silver screen,” with great S O U N D, I would not hesitate.   That I have this pleasure at the Billy Wilder Theater without needing to get on a plane is truly awe and some.   By the way, the MUSIC! the score for “The Killers,” which drove home the story and was later, purloined by the composers of the Dragnet, television show for that program’s theme, for which there was,  “legal action,” later.  (All this, and more, I learned from listening to the scholar that introduced the two films.)  Understandable because the music was one of the many factors combined which make, “The Killers,” an unforgettable film.

Much Love,

Frau Kolb

Posted on 1 Comment

“Noah,” Biblical Dude

Dearest Talkinggrid Regulars,

1 April 2014 -7 April 2014

Here is a meditation on taste… How do you feel about the guilty pleasure of a “BAD,” Movie? Is a “Bad,” movie akin to junk food, a poor substitute to authentic nutrition?

Frau Kolb is a total snob when it comes to films. “Noah,” was G R E A T as a parody of dysfunctional Malibu living. The film’s total lack of respect for the biblical narrative’s gravitas, and the significance of LAW, authority… punishment… all foreign ideas to the Hollywood mind. The film features: two herbal medicine junky parents, on the brink of a great flood… could be menopause or a midlife crisis… regardless the two, are battling. The are “way too stressed,” by the “evil,” meat eaters. Differences in diet, from gluten-free to vegan being an “AWESOME issue,” in California, where this ancient flood takes place in a studio lot and computer chop-chop room, keeping a KOSHER KITCHEN versus an only ORGANIC GARDEN may be a never ending source of Empty Hollywood “D R A M A!”

In Los Angeles, affluent people often shop at Whole foods… which… might fit in an ark… if you drugged the electronic animals… the cast of Noah dressed in anachronistic contemporary classic movie attire, over act their way from one scene to the next flood of bad… evil… greedy trashy leather and hair extensions flaunting, trendy MAD MAX rival sibling… Ruler of the damned, hitching a ride, wounded, inside the cartoon ark, adrift in the middle of a bad plot and stupid invented biblical dribble. The family of surf sipping fashion cast-aways, waiting for “the BIG wave…” The moral of the story: DO NOT MURDER your twin granddaughters! OK, Dude?

Do NOT set up your father to be murdered by your blood lusting uncle. OK??? He will be Shakespearean in his on-stage twitching rage and bristling Anglo-Irish… what is that stupid… oh yeah… another movie packed with longhairs… the one about a lost Ring… cramp. Moral number 15 of the story: keep kosher or dear ol’ god won’t give the snakeskin blessing… wait what? This doesn’t make any sense… well the Old Testament didn’t make a whole lot of sense did it??? Slapped together from yarns, threads, ancient Hebrew, ancient tongues, mysterious… powerful!

Not a JOKE. NOT FUNNY, really.

Noah is supposed to be serious and it really shocked me that I was the only one laughing throughout this farce of a film.

I dig the part about the groovy garden with a tempting tree and handy slithering salesman: SATAN.

noahThe NOAH story told by Hollywood, puts Russell Crow in baggy denim trousers looking the part of a frazzled Los Angeles “off-his-meds,” unstable angry husband/DAD… an overworked father of three, a rushed and post industrial worker transported via lack of historical knowledge to an imagined past… very strange… belching stacks, polluted environment… all very LA NOW. His wife,the dashing Jennifer Connelly, wears the organic hand stitched mantel of plastic trash bags left over from the set of Waterworld, another underwater Hollywood disaster picture, gone way wrong… The hyper unimaginative costume designer got the LOOK of a Prius Driving power-yoga-stressed out- BEACH queen MOM, perpetually aggravated from fighting traffic, on the Pacific Coast Highway, wearing her athletic gear and lambs skin lined bulky flat surf boots, despite claim to be “almost vegan…” yet LOVIN’ Skinny Margaritas… characteristic of the “laid back,” amazingly aggressive and self-centered inhabitants of one of the world’s most exclusive enclaves of wealth… sending out the sun-kissed image of Wind-Whipped Anime hair… too much.

Laughter erupting at the illogical slap-dash raft of a bloated “electronically mastered,” logic challenged, folly… perfect for those that love their entertainment ABSURDLY all Caucasian and without a touch of truth… those that crave twisted, computer animated nonsense… I mean, what is with the talking rocks??? Why do all Hollywood brain busters have to have a giant robot folding over upon itself, a computerized Character, which is sent in to save a floundering script and pointless flick from sinking. Noah, a movie made for those that image prehistory in terms of a simpler time; when wives were, animals, children, and all else were to be subject to a very macho and temperamental LORD; white DUDE.

Happy April FOOL’s Month, to those that, join me in celebrating Hollywood’s power to draw in audiences out of their, presumably, cozy homes to the public view situation of the Movie Palace or Theater… How do they manage to get humans to give up hard earned dollars to see pretty European California pampered brand name faces perform empty renditions of what might be our most sacred religious documents?

Imagine: a BIG WAVE wipes Malibu off the earth and then there is NO MORE TRAFFIC.

Unfortunately, Noah did not have a surfboard strapped to the top of the ark… It would have added extra––spice––to the already hyped-up Hollywood version… after all, they took so many liberties with the established biblical narrative.

An alternate title for the film; “Noah Does Malibu,” and Mel Brooks really must make his own version of this hilarious jazzy Hollywood spun cheap and flashy pimp of biblical electric neon impossibly pretty Douglas Booth… fruity, really… and unbearable acting from the biblical British sounding princess, Emma Watson, with “healing wisdom,” from Wholefoods on Lincoln blvd, this version of Noah is loosely spun upon the biblical patchwork of polyester and acrylic twine costumes.

Humans: we love retelling an old myth… making it resonate with a new audience which doesn’t care that denim did not exist until the late 1800’s and that it is a uniquely American fashion choice. The people of the ancient Greco-Roman world told many versions of the same stories about their mythological heroes.

The fact that denim has become a possible toga for today’s international male, around the world, is testament to the imperialist nature of this nuclear family, we could-all-be-cousins, one family and its adopted sister… and their twin daughters… weird. Yet… perhaps… the film is but a mere joke, a comedy… destined to be erased when the digital libraries fail after the upcoming END of THE World!! ! IF you find yourself laughing at the silly slapstick rendition of the prehistoric manifestation of the miraculous, know that Frau Kolb is not laughing at you, rather with you, in this tenuous case.

Enjoy the “Shadows on the Cave Wall!” and please pass the fake butter flavor on salty GMO pop-corn.

Thank you,

Frau Kolb

Posted on 1 Comment

FIVE STAR FILM: THE GRAND HOTEL BUDAPEST: ZUBROWKA

 The Grand Budapest Hotel, New Film Release by Wes Anderson

April 2014

009-the-grand-budapest-hotel-theredlistWe slid into our plush pleather reclining seats having ordered cocktails and potstickers, to be brought by one of the locals. Then we relaxed, laid back, and took a little trip back to another time, in another, powerfully familiar, world. We rode the film’s fantastic train of lacy thought deep into its delicate yet surprisingly un-flighty core of solid historically correct material and manners, which render this film watch-worthy, delightful. A loyal and true, honest and steadfast pleasure; each time gaining speed with a whipping swish, a rumbling, passage, a driving… light rhythm… a refined ride deep into the decidedly slow paced, well knit, lovely crafted, and the earnest surprisingly linear delivery of intimate detail in a period piece set in a gentler… or perhaps NOT so gentle, world at the brink of WAR. There is the marvelously creepy Assassin, nailed by Willem Dafoe and the brutal train stopping paper searching police… A strange, lingering film with haunting hints of berry special… it was, , intoxicating to behold and to take in, to watch the film meander its perfectly planned course… in a subtly homoerotic… a stunning romp through a fantasy Europe of a bristling Germanic Pizzaz, where a friendship between a man, “M. Gustave H., the legendary concierge at a famous European hotel between the wars,” and a boy, Zero Moustafa, binds the twirling sparkling jeweled core of this finely woven blend of fact and fiction, authenticity and originality.

Grand is the cast of the the film, we enjoyed. Short appearances by Bill Murray, Adrien Brody, Jude Law, Lea Seydoux, a solid and sweet performance by Edward Norton as the fastidiously correct official and Master Mind Jail Bird: Harvey Kietel …Saoirse Ronan, is the cake baking bicycle peddling innocent that saves the protagonist from confinement via dexterous baking skills and a passion for the LOBBY BOY, Zero Moustafa.

We have to expect brilliant performances, by eternally resplendent jewel, Anglo-Saxon goddess, Tilda Swilton and (Hyper Refined British Dreamboat) Ralph Fiennes, we sank into a the eye candy sweet confection of a film, perhaps not Anderson’s “finest,” work yet… it maybe… indeed a masterfully crafted piece of film legend, an authentic masterpiece, a genuine glittery jewel of cinematography! I expect it to win every award. It should.

The Grand Budapest is a charming film. It speaks the language of the international elite with a show stopping performance by every ART CHAT and Muse News Reader and commentator… Thank you for stopping by and for checking in and for the steady contributions of significant support.

Just a little whiff of L’Air de Panache; Pure Musk… Ah!

The setting, a nonexistent country east of somewhere in Europe, Zubrowka, “inspired,” or based on the writings of the tragically romantic author and poet, Stefan Zweig, who committed suicide in protest of the war…

Acclaimed English painter: Michael Taylor, created the prop painting at the center of the playful film’s jolly little clockwork perfect plot.

Ralph Feines is unwaveringly dreamy… the perfect concierge, inviting… admittedly… seductive. You understand, the adoration, the admiration, and the respect people feel for the caring, brave, and loyal protagonist.

The Lobby Boy, deftly acted by Tony Revolori, the “helpful,” boy, who travels with Gustave, in the capacity of “Personal Valet,” with a stolen painting… containing a will which… I won’t tell you any more, you really want to see this beautiful light bright and intelligent dazzler, while you can catch it at select theaters NOW.

Tilda Swilton is absolutely amazing. She dazzles the eye and plays the role of a vain as a frail (Thomas Pynchon’s Classic novel, “The Crying of Lot 49,” a la Turns & Taxis… all powerful heiress of an unspeakably vast fortune, mother to the most despicable brat.

(Earlier this week I had the twisted pleasure of seeing a terrible film, “Noah,” and utterly twisted telling of the Old Testament tale. Is nothing sacred?)

The film Noah, depicted the Prophet as a contemporary Malibu Hippie… well, not really but kind of… (read more here).

In the film we return in time to a world someplace on the edge of reason, more polite and correct… yet “Mad,” if a little safe, a cozy classic. The bubbly flows… even the assassin has style… leather clad Monster.

Wes Anderson

The Royal Tenenbaums was the first Wes Anderson film we really fell for. The colors and depiction of a wonderfully quirky blended family, living in a rambling book filled brownstone somewhere posh in Brooklyn… with stories braided within the margins of still deeper and more intricate tales… the prominent other voice in film-making enjoying a long career as one of Hollywood’s best alternate directors, his refined sensibility, always on display and dominating the film’s development. Spinning, dazzling, delicious and sweet this film stands out among the many and yet is not… well, substantial enough… perhaps. Yet, here I am inspired to write about this film in the middle of the night just hours after seeing it.

Protagonist: Gustave, a metro male, a character from in another unwritten, imaginary version of Alfred Hitchcock’s… homage or pillage of the Oriente Express: the train, the pace…the old world elegance teetering on icy cold mountains of traditional notions of what is correct and which is simply… comic relief the cliche of blades and miniature hacksaws baked into exquisite pastry deliciously fits this film to a tea… a little Hitchcock inspired ride through an alternate reality, where the gay and liberal aristocratic spirit that joined artistic, the anarchist, and the refuge in… The BIG PICTURE beauty of Art and its need to be rescue, re-homed, adopted by its, ultimately rightful heir… the picture at the center of the film, that art need not save the world but that it might be a reason for someone otherwise or merely apparently insignificant to muster the courage with which to face life.

Historically astute… pushing all kinds of elevator buttons, taking a ride up and down the frosty hillside, just ahead of the horrible gun toting assassin… AND don’t let me get started on Jeff Goldblum!

Owen Wilson, plays only a minor role… yet, we all know how Frau Kolb feels about Owen… right? Frau Kolb LOVES OWEN… I met him and Wes Anderson, briefly one night at Hals… I sat behind him on a plane to Maui, not long after… I dream of directing O. in a few films… Ah!

Overall: I wish more films would have this delicate honesty and whimsical literate approach. This is a film, I will see again. This is one I will add to my tiny collection of treasured films.

Posted on

Helene Forbes had SPARK! Her fire and fine-eye are missed.

img_1436_medThis morning our friend Helene Forbes went to the great art party in the sky, beyond the invisible red-velvet role of knowledge that keeps some inside the art world and others OUT! She will be missed. Her keen art eye and sharp wit were legendary. She was close with, Senior Art Critic of the New Yorker and Face book , superstar, Jerry Saltz and she made time to take me, Frau Kolb, gallery hoping after sitting for this watercolor at a Chelsea resturant last year in late September, or early October, the day that Lisa Yuksavage opened at David Zwirner. I know because, I went to that opening with her and Leonard Barton. They were good company. We laughed a lot and both Mr. Barton and Ms. Forbes were brimming with eloquet spot-on commentary. I could only listen and laugh. That night, Helene introduced me to Gregory de la Haba, an art-world notable, artist with wonderful red curls and perfect Caribbean Spanish, like me.

I am so glad that I got to meet Helene. She introduced me to the work of Trudy Benson at Mike Weiss Gallery in NYC. The only regret that I have is that the last time I saw her, I did not take the time to really say, “hello.” It was at the Fountain art fair, which I covered thanks to a kind invitation by an artist I admire. I saw Helene. I nodded. Winked. And, made a gesture like I was going to come chat with her. She rolled her eyes, as though to say, “Yeah RIGHT!” That made me chuckle. I was surrounded by artists that I crave contact with. I was lifted by the sea of interesting people and dropped into a deep conversation on Duchamp with artist, Brian Goings.

I never got to say “Good bye.”

Posted on

The Fragile Web

Dearest Readers of The Talkinggrid,

The best part about having one’s own blog is that one is FREE to write about touchy subjects; like family and Feelings.

We all have families and we all have feeling about our childhoods, when we were powerless. Some of us NEVER Grow UP and are thus, forever powerless.

img_5848_medI am the daughter of an adult child. She has never done a single harmful thing to any other person on purpose. She does it all by “accident.” She is never responsible. She is always and forever the the victim in any interaction. She will not relent in her defiance until one is at one’s wits end, screaming; desperate.

She is always in control. Spoiled and lovely old lady, pretty and cute, everybody likes her… people lean in to love her. She still gets marriage proposals. Hah!

Yet, she is exclusively attracted to Spanish, I mean European men, like her X husband, a man at least twenty years her junior, the one she married after she divorced my father for the second time, younger than her oldest son… ouch. My father was no thing like the little boys she digs. He was big, strong, craving power, looking for status, marrying her in hopes of entering into a very closed circle of elites in the island nation of Dominican Republic, where he was born, a parvenu with parents from the British Virgin Isle of St. Croix.

Feeling relieved.  My mother has gone back to her home, far away.  Having her stay with me for three weeks was intense.

First, I have to deal with the fact that she really needs a lot of care.  I knew this was coming since childhood.  I could tell she did not know… really, what was going on around her.  I mean, she spoke no English… She was a Jehovah’s Witness.  She saw through the abuse of animals in the meat industry.  She trained me to reject fast food, frozen meals, and canned nightmares.  There was no Chef B… in our home.  She cooked everyday and taught me the importance of eating fresh food.  She kept an immaculately clean home.  She cleans, in fact, compulsively.  Which, has its pluses.  Hah!

My father’s English, on the other hand, was very good.  Sure, he had an accent, but his vocabulary was quite vast and he wielded language with real panache.  Spanish, he was extremely precise, he was after all an attorney in Dominican Republic, when they met, in their hometown of Santo Domingo.  When he was a young lawyer, at his first job and the Ricart girl was secretary to him and twelve other lawyers.  Hah!

She got a cold.  He paid a visit to the home.  She could not see him so she returned the visit to his mother.  He was not home.  She met his mother and father.  They loved her.  She was so pretty.  It did not matter to them that she had children.  She was young, 26, or so… and a RICART!  Wow, in their home and she wasn’t snobby.  She didn’t seem to notice they were not… well like her.

What year was it?  I have the papers, in a suitcase, in my closet, but I will not go look.  No.. I will guess.  I was born… yes, so it had to before that… and well they met, she got sick, he paid a visit at her family home where she was living with her FOUR CHILDREN.

Yes.  She had FOUR.  I am number FIVE!

She started young.  She was determined, she wanted to get married, out of her house, away from her father.  She was convinced.  It was love.  He, a young tailor from down the block, was no-where-near ready for marriage so… of course, beat her and drank.  But she was raised on cruelty.  Her father beat her and her mother every chance he got, because he had told Maria Dolores Perez, the pretty fashion designer, that he wanted NO CHILDREN, she defied him in having my mother, with his mother’s blessing.  He never forgave her.  My mother was born into a home where a sense of scarcity underlined every luxury, every piece of finery, where people DIE of Hunger, and the poor live in conditions, unthinkable to most… yet, after ONE week of my mother’s voracious appetite for LOVE, attention, and service, all the while, proclaiming her LOVE for Jehovah, after ONE week with her I was tempted to punch her in the face.

Because, yes, she let me die…literally I flat lined in a hospital in New Jersey… as a child.  I saw the white light.

Today, I’m a mother of two and I live in California.  I eat organic food.  I am a New Yorker.  I have a Latin temper, yet I do not experience the desire to harm others.  Typically, I’m a buoyant, if moody artist, creative type.   Ha!  What a human!  She is absolutely shocking.  I must be exactly like her.  I know my daughter is like her.  My daughter, by the way, has decided to start listening to me since she met herself, times ten.

My mother was, on the one hand, a very spoiled child and other the other, an neglected and abused, unwanted daughter to a M O N S T E R.  This is my legacy.  I am the child of colonialism.  I am the granddaughter of the playboy Spaniard.  I am the daughter of the attorney, who became a furniture salesman in New York City.  My mother got what she wanted out of my father: a plane ticket out of Santo Doming.  She got her kids out too.  For them, my father and I were, strangers:  I am in effect an only child.

Her mother decided to have the child and leave her in the care of all-loving, Alta Gracia Ricart, the wife of Eduardo George Ricart, mother of the three sisters… and ONE son, he was supposed to be responsible for his sisters.  He was supposed to care.  Yet, caring was not his forte.  He learned to gamble at an early age.  Going to the sporting matches with his Spanish born father… during the reign of the Caribbean’s most enduring dictatorial regime.  His cousin, married to the son of El Jefe… life was grand for them… almost all the Ricart were a northern blond/brown haired hearty stock of Spanish, olive oil, international merchants and importers, of a product the island nation they loved, to vacation, so much FUN!  Dominican Republic was for them an addiction.  It had everything they wanted: pretty women, mixed girls everywhere, hungry lovely happy musical dancing entertaining people to serve and cock fights, are even more FUN than bull fights and YOU know that crazy SPANISH look Picasso had in his eye… Grandfather Ricart was a world class gambler, he worked for the state in its casinos.  He loved to bet.  Winning had No Thing to do with what he did. He was a broken prop for the state.  It was his public duty to show how RICH and extravagant… My family, his sister, my aunt told me in November 2013, when I went to visit my father’s grave that, he was one of the political speech writers to… no one less than… the dictator.   Not too surprising considering that his uncle was no less than Mejilla Ricart, the historian of the early Dominica People, who has an large avenue named after him, today, in Santo Domingo, the capital of our, the first nation in the New World, with the first church, first university: of which my father is a doctoral graduate.

Yes, grandfather Ricart was dashing.  His entire family held sway that to this day, in Dominican Republic, I am home, like nowhere else… I speak and people hear in my voice that payment is forthcoming, that I KNOW what I am speaking of, and that I am comfortable in my own knowing… thus, I love Puerto Rico… I’ve never been to Cuba… I intend to visit St. Croix, where my father’s people are from,  but… my grandfather’s cruelty lives on in my mother’s ability to laugh at me or my father’s best efforts to please her.  She has the uncanny ability to drain me, wound me, leave me lacerated and not even notice that she inflicted any injury.  Hah!

When I was young in New York, growing up… I left home early, and I always favored the taller blue-eyed more refined yet country boys.  My boyfriend was all of the above and more, he got me a job cooking, which fortunately, I learned from my mother the importance of nutrition and domesticity… thus, I knew how important it was to learn to cook and I worked hard in low-level yet professional cooking situations, such as health clubs and other venues.  At one point I made a turkey a day...

My father was by everyone’s, except his own, understanding a “BLACK MAN!”  He never told me he was a black man.  He told me he had to be careful, always wear suits, be extra polite, keep his hands in sight, be attentive, listen, pay attention, read more, work more, stay longer, be on-point: precise.  He taught me how to fight.  How to punch.  Hit.  How to be first.  “Carry a book with you at all times!”  Was a maxim in my home.  He kept a library.  He taught me to read.  I went to school speaking fluent Spanish and pretty good English, too.  I could read by age three.  I was designated “gifted.”  I was his girl.

My father worshiped my grandfather.  He had grown up during the dictatorship.  He had read the news papers about the leading families and how beautiful they were and how splendid it was that El Jefe was allowing the Jews asylum, from Nazi Germany, and how our highway and telephone system where the best in the Caribbean.  My father was a quick boy, his dad a Marine Mechanic and his mom a domestic in a grand home, but she had learned British style service, which gave her a certain panache unlike the typical Dominica, housekeeper.  My father was a boy with a talent, pitching stones with rat kill accuracy and listening to the signs on the wall.  He was a shoe-shine boy.  He was the one they could trust with a more important errand.  He was fast, reliable. He got into law school and decided that baseball, was NOT a worthy profession for someone like him, much like I reached a certain point with cooking and realized I need a more intellectual profession.  Besides, I’d always called myself an, “artist.”

Grandfather Ricart was very blond and blue eyed and a darling of the state, cousins with Octavia Ricart.  You don’t need to look to far into the history of Dominican Republic, “discovered,” by Columbus; when he smacked into the island of Hispañola in 1492, to learn about the dictatorship… just look it up.  The lists with the families that “owned,” Dominican Republic and decided who could and who could not… the name Ricart, figures prominently, for generations… in Dominican society and politics… today, my family, are administrators, educated people, servants of the state: forever.

You don’t have to look into the history of evil because, evil is common.  It springs up from deep within a lizard’s heart, as it squirms from the sea floor out to the dry land, legs spring from deep within its boney self and running it goes to hide in a tree… the rest is my song.

Posted on

Lady Abramovic

Los Angeles California,
Monday, August 12th, 2013

Recently, Marina Abramovic was called, “tacky,” for offering, “an embrace,” in exchange for donations for   the Marina Abramovic Institute.  This week Lady Gaga demonstrates nude how one might train at the woodsy studio, in a bid to attract MORE ATTENTION to Marina’s cultural mojo.  Now, I ask you… What is wrong with this picture? 

Well… first of all who are these people?  The French visual and performance artist, Orlan filed suit against Gaga for copyright violation not too long ago… I wonder if they settled.  Here is a Forbes article on Lady Gaga’s creative lifting strategies in relation to the artist, Colette.

NOW, I admit that I gave both Abramovic a fair amount of attention, including that I am writing about them here and now.  WHY? 

Well because I’m fascinated by what WORKS, what doesn’t, and how does one draw the line between truly tacky and simple business tactics.  EVERYONE and their mother has a kick-starter project now.  I don’t butt, I’ve certainly thought about it.  LOOK, there is a donate button right on this page.  I’ve asked for “donations,” for open ended art trips and other “extravaganzas,”  on Facebook mostly (not the best medium, I know, I know…).  Anyway, the fact is I have no problem with Gaga/Abramovic.  I bet it is FUN to DO the outrageous successfully rather than merely flirt with the idea of being OUT THERE. 

Over this very real taste for the pushing the envelope, I’ve lost so called “friends,” yes.  I’m cool with that because my policy is that I only wanna chill with people that really GET me and are on board for reciprocal relationships, long term.   Anyone that actually knows me, knows me to be about giving.  I’m hospitable and generous.  I planned my life around those two traits.  My actual name, “Caridad,” means charity.  Thus, I’ve attracted my fair share of free-loaders and opportunists.  I enjoy their company to a point.  They can be very entertaining, engaging, and talented people.  Butt, the best way to rid yourself of these types is to publicly, ask for money.  Every time, I’ve done this I’ve shed “friends.”  (I’ve also attracted some support from individuals that believe my contribution is worthy.) This works to magically expose the people that are hoping I might be the source of their FREE RIDE.  

Creativity is a funny thing, because when you experience it, it is always a gift.  You never know when or where a golden idea will drop into your lap, from the intricate web of your brain perhaps.  Butt, anything that ends up in the glowing lobes of gray matter comes from somewhere.  We all lift, rift, and ride on each other’s knowledge.  I know it.  I do it.  Yet, when one steals an idea and uses it commercially without permission or profit sharing that is THEFT.  How does ONE catch and transform a novel concept into an actual commodity? 

That requires teams of people working tirelessly to create the illusion of individuals doing their “own,” thing.  The complex negotiations and decision making that must have gone on between the Gaga/Abramovic camps must be high powered meetings because, at the end of the day, both women are representatives of multinational thinking that engineers their every fart to appear spontaneous.  

Well, the model for raising money is forever changing and the boundaries between what is, “Begging, or Fundraising,” is fuzzy.  For some artists the boundary is razor thin, sharp, edgy.  They play with the risk of alienating some, thus, capitalizing on the outrage their actions illicit.  

Me?

I’m OK with it.  I am the long term publisher of Pretense Magazine.  I love performance art and thrill in the work of all artists, good BAD naughty and in between.  Besides, I’m not donating any money to Marina, either.  Just by writing about her, mentioning her name, I am helping her cause.  

Best regards,

Frau K.

Posted on

ON Losing Weight NOW! The Super-Simple Frau Kolb WAY to be fit and fab YOU!

Chilled Champagne is an essential ingredient in any diet I undertake.  So WHEREVER you are, pour yourself a tall skinny glass of bubbly and let’s toast to the prospect of a new you!

Now, I’m going to tell YOU.  I am NOT a nutritionist.  I am not a fashion model.  I am a woman that LOVES FOOD and eats a lot.  I’m not particularly young and Yet, I’ve lost weight as needed after gaining weight ass needed for pregnancy and post wrestle with life-threatening bout of evil breast cancer (cause: a genetic mutation).

Since November, when my beautiful doctor, a man, older than me… I calculate he must be older than me, he went to medical school and became a luminary in his field… told me, “It is time we talk about your weight.”  I was twenty five pounds heavier than I am today.  I just shrugged my shoulders.  I thought: “Hey, I’m older now, I had cancer, I’m busy, I have kids, blah, blah, blah.”  In other words, I thought:  I have to be FAT.  Everybody is FAT after a “certain age…”  Yet, sitting before me was a really good looking super-skinny and well coiffed presumably older-than-me MAN.  I was a little beaten down, having surrendered to the idea well, frankly that to be NOT beautiful, to become attractive, or lacking in sex appeal  in my immediate and future future was an unavoidable destiny FACT. (OUCH!)  I had surrendered to the idea of being older and overweight ass unavoidable TRUTH.  Because I believed I was old and… well… I had no choice butt accept my big bottom as a reality knot to be untied.

Anyway, I made a lame attempt at defending myself, I told him, “I go to the gym,” and I said, “I eat healthy.”  My doctor LAUGHED at me.  He did.

“EVERYBODY always says that they work out or don’t eat so much but the fact is that gaining weight is a simple mathematical equation: too many calories and not enough movement to burn off the calorie count.”  He said.

NOW, he had my attention.  “Are you calling ME a cliche?”  I asked, outraged for an instant, wanting to get offended so I wouldn’t have to listen.  “YES!” he laughed.  Skinny, tall, and blond, my beautiful doctor said, I was indeed a, “Cliche.”  This made me angry, because ONE thing I pride myself on is on be myself, unique.  So… I said, “Do tell.”

Well, my doctor gave me two guide lines:

1. Cut every meal you get (in a restaurant ESPECIALLY) in half and eat only half, every time.

(Note: In my case, I eat the protein and avoid the starch.)  This shrinks your stomach, which is essential.)

2. Excursive at least one hour everyday.  YOU must do enough to sweat, then rinse it off.  This Rinse off, may seem obvious, but it is essential to your  health that you remove the toxins from your skin that your body excretes through exercise, daily.

Starting in November, I applied those two guidelines. I started by walking, then running or… sometimes… dancing.  Biking is also really important to me.  Now, I’m SKINNY ME: weighing less than I did a decade ago.  BRAVO!

I also changed the following:

I no longer drive everyday.  At least one day per week, I walk or bike EVERYWHERE. (This is ALSO good for the environment.)  This works especially well when going grocery shopping… carrying food home on a bikes, keeps it real what YOU buy.  Best of all NO frozen food.  I’ve never been a big fan of canned or frozen prepared, highly processed, foods.  I’ve always preferred ORGANIC fare and I know that this fact alone makes me healthier and more resilient than most.  NOW, I’m a little stricter about what I eat… but I eat real food: organic animal proteins, salads, fruits, veggies, dairy, and FOR ME: NO GLUTEN.  NONE.

Fast Food, has always been completely out-of-the question for me.  Butt, IF you are a driver-through bandit, you like your McD’s on the GO, or TACO Terror, or worse you eat any food that involves a person taking your order via a microphone and throwing a bunch of chemical sculptures of food into a box for you then you better STOP IT!  Because, just like smoking, some habits have no upswing and can only slow you down and make you ugly.

I cook.  More and more, my families meals are delicious and less expensive than eating at the Ritz, for kicks.  Anyway… IF you would like to discuss, this topic further… ask me a question either here, on the comments or on the Frau Kolb/Talkinggrid Facebook FAN PAGE!  Yeah… In the mean time: GET OUT there and MOVE.  EAT LESS.  EAT FRESH!  Enjoy LIFE!  Embrace FUN, laughter, good times are your pals when facing any challenge.  Don’t forget simple corny and gut wrenching JOY ass a remedy!  Cheers and BOTTOMS UP!

Love,

Frau

 

Posted on

ON Floundering

The focus I set for this page was ART.  Contemporary, mostly.  I planned on going out on an ever increasing ART-A-THON.  You know, more and more ART adventure, culminating in an epic feast celebrating our BIG achievements and AWESOME art adventures.  I was feeling so secure in my vision that I began to invite others into it, like a play structure in the middle of a city park.

Forgive me that I’ve lost my way.

I’m thinking more about THE HOME, lately.  Since, March.

I’ve put my focus on HOME and HEARTH.

Once in-a-while, a news story… something juicy and controversial gets me splashing emotionally in the ocean of opinion, for a second or two… then I relax and I remember: my way is to FLOAT.  I float over troubled times and swim above the clouds left by great bombs in history.

Successfully, I’ve re-invented myself dozens of times and keep discovering more talent within.  For example: I LIKE to clean!  My whole life I’d convinced myself that I HATED cleaning.  Recently, I realized… NO!  I LOVE CLEANING.  The reason I thought I HATED cleaning, my whole life, until NOW, was that well… my mom LOVES cleaning… and I even though I really dig earsing famous artist’s drawings and my mother always HATED my huge collection of erasers and random pieces of paper, from type to rag, I used to hoard, neatly in my closet, back when I was a smaller version of myself.

Anyway… write your own blog IF you don’t LIKE mine.  I keep writing here mostly because I sometimes have something to say on ART butt lately… I’m floundering.  Oh well… Maybe I will enroll in an ART for ART fried ART folk-culture class at the local community college.  Maybe… I will discover a more interesting direction for this freakin’ web-site of writings and art by an independent female pigment slinger.

Yours truly,

Frau Kolb